The Girl Who Invented Kissing Film Review :
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A nameless, pill-popping drifter girl steps off a bus and into a New Jersey neighborhood bar owned by two middle-age brothers, Jimmy & Victor. She quickly befriends older brother, Victor––a good-natured lummox whose mind was affected by a childhood accident. The mysterious “Girl” soon upsets the delicate balance of the brother’s lives while bringing both trouble and new life into their resigned world and town.
On my first night ever at the Heartland Film Festival, my first motion picture was a little number called The Girl Who Invented Kissing, composed and coordinated by Tom Sierchio. I went in supposing it would be a general free film with some carefree minutes, some touching minutes, however nothing too finished the-top emotional. While it is the majority of that, I genuinely figured it would lean more towards the parody with a name like The Girl Who Invented Kissing. You know how you’re advised not to judge a book by its cover? I did that for this film.
The film concentrates on Victor (Dash Mihok), a “well-intentioned lummox,” as the motion picture depicts him, whose cerebrum and hearing have been influenced from a youth mishap where he spared his more youthful sibling from suffocating a frosty stream. He bears a violin he played for his dead grandma and carries on with a routined life. He has breakfast with his sibling at the family bar regular, goes to the record store possessed by Leo (Luke Wilson in a saucy cameo) searching for Hank Snow collections, goes home, and rehashes.