Love Beats Rhymes Film Review :
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An aspiring hip-hop artist discovers the world of slam poetry.
Pop star Azealia Banks enters the ring in the rap fight sentiment “Love Beats Rhymes” hidden in dark with an amplifier, a dead rose and a pine box. Her character Coco Ford, a battling New York artist, resembles a witch, and Banks’ fans may shudder recollecting that the artist turned-performer really is one (a year ago, she posted a Snapchat video of the grisly storage room where she forfeits chickens). That initially picture of Banks frequents the movie long after executive RZA, the leader of the Wu-Tang Clan, endeavors to exorcize it with a helpful show about Coco’s mid year semester verse class. With a plot as unsurprising as a haiku, RZA and screenwriter Nicole Jefferson Asher would have improved the situation to grasp the weirdness.
Coco is at a junction. Her four-man free-form aggregate needs a record bargain, however the three fellows in the band would prefer not to record verses — particularly her flaky squash Mahlik (John David Washington of “Hotshot”) who can’t resolve to words or ladies. Her mom (Lorraine Toussaint) demands Coco finish her bookkeeping degree. Coco loathes school. Banks truly uncovers her teeth at the red block grounds, similar to a puppy gazing intently at a postal carrier.
Her doubt bodes well. Asher has scripted a strange school where Prof. Nefari Dixon (three-time Grammy victor Jill Scott) gets an electrical storm of acclaim simply strolling into the main day of Poetry 101. The classroom is packed to the point that understudies are compelled to try out. At the point when nice looking British showing partner Derek (Lucien Laviscount), a hammer artist with faultless stubble, precludes Coco for presenting rap verses, she makes plans to demonstrate her couplets justify an A+, regardless of whether she supposes her educators are upstarts. As her closest companion Julie (“Pitch Perfect” whispering weirdo Hana Mae Lee) moans, “Young lady, you gotta transform everything into a fight.”