Flashburn Film Review :
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Wes Nolan wakes up in an abandoned warehouse with a case of amnesia. He has been kidnapped by someone named “Lazarus” who has him held captive in order to get the cure for an Ebola outbreak. Wes was a virologist and microbiologist who was working to engineer a bacteria protein carrier to attack the Ebola virus before it could destroy human cells. Instead of destroying the Ebola, however, Wes’ protein mutated the virus into something much more potent. Now Wes must try to regain his memory and try to find the cure.
Dystopian stories include an additional level of trouble in narrating and to convey a world that has finished. This motion picture maintains a strategic distance from the adage of concentrating on the conditions of getting by in this world and rather concentrates characteristically on an abducted researcher and his endeavors to find a cure for the beast he made which pulverized most life on the planet. An account of this bore requires skillful course so the group of onlookers can appreciate the story as it is told. Another solid purpose of this venture is the practical acting of the primary character, depicted via Sean Patrick Flanery; his commitment to the film is basic. His acting is remarkable and talks a great deal for his experience as a performing artist and also executive Giorgio Serafini’s dominance in managing his on-screen characters to accomplish what he has imagined. In general the film is extremely engaging, the story line is both pleasant and all around conveyed, and it is an incredible wellspring of motivation to every single autonomous movie producer.